Aruán Ortiz and Don Byron bring their magic back to Bar LunÀtico for a second round! The duo performed here back in January for LunÀtico’s Fourth Annviersary and left the room breathless.
Born in Santiago de Cuba, and resident of Brooklyn – pianist, violist, and composer, Aruán, has been an active figure in the progressive jazz and avant-garde scene in the US for more than 15 years. He has written music for jazz ensembles, orchestras, dance companies, chamber groups, and feature films, incorporating influences from contemporary classical music, Cuban Haitian rhythms, and avant-garde improvisation. Aruán consistently strives to break stylistic musical boundaries.
Aruán has played, toured, or recorded with jazz luminaries such as Wadada Leo Smith, Don Byron, Greg Osby, Wallace Roney, Nicole Mitchell, Cameron Brown, Michael Formanek, William Parker, Adam Rudolph, Andrew Cyrille, Henry Grimes, Marshall Allen, Hamiet Bluiett, Oliver Lake, Rufus Reid, Graham Haynes, Terri Lyne Carrington, and Nasheet Waits. He has also collaborated with choreographers José Mateo, Danis Mora, and Milena Zullo; filmmakers Ben Chace, Mariona Lloreta, and Mónica Rovira; poets Abiodun Oyewole from The Last Poets; writer/poet/filmmaker Mtume Gant; DJ Logic and Val Jeanty Inc.; and renowned German writers Angelika Hentschel and Anna Breitenbach.
He also performed on Grammy Award winning singer/bassist Esperanza Spalding’s trio debut album, "Junjo" (Ayva Música, 2006). All About Jazz said, “The trio has…splendid flashes of precision from pianist Aruán Ortiz who is excellent throughout.”
Byron is a gifted performer on clarinet, bass clarinet, and saxophone, but on many of his albums he subordinates his own playing to the exploration of a particular style. Byron is representative of a new generation of conservatory-trained jazz musicians who explore and record in a rich array of styles; his first album, Tuskegee Experiments, is a stew of classical avant garde and jazz improvisation, while albums such as Ivey Divey represent a straight-ahead exploration of the traditional jazz 'tune'.
Byron is a practicing jazz historian, and some of his albums have been recreations (in spirit) of forgotten moments in the history of popular music. Examples are Plays the Music of Mickey Katz and Bug Music. Byron has been nominated for a Grammy Awardfor his bass clarinet solo on "I Want to Be Happy" from Ivey-Divey…